Colleagues in an ad agency discover they’re caught in a time loop, condemned to live the same work day forever.
Groundhog Day keeps breeding children, and after Palm Springs in 2020, we’re surprised to see how young filmmakers manage to renew such a typically repetitive theme. Ryota Takebayashi’s angle for his first film is resolutely allegorical and contemporary, as he holds before us a mirror of professional horror: hierarchical harassment, repetitive tasks, exhaustion to the point of depression. Frantic, thrilling, nightmarish, comedy has never been so cathartic.