During two decades, Turkey was one of the most prolific countries regarding film production. The big peculiarity of these movies shot in a few days: resume American successes by plundering concepts, scenarios, and sometimes even images, soundtracks with a masterful craftiness, because of an absence of copyright in the country.

During seven years, the specialist of the found footage and mash-up culture Cem Kaya met the most prolific personalities of this industry and draws up a moving and lucid portrait of the history of the Turkish cinema.