Austrian Ulrich Seidl doesn’t need to be introduced anymore, deserving successor of his fellow countryman Thomas Bernhard when it is a question concerning a look at human dysfunction, who films his fictions (Dog Days, Import /Export) and conversely as documentaries (Animal Love, Models, Jesus, You Know). This lover of the eccentrics, who likes to outline the faults of the individual with a wild humour, comes back from his trilogy Paradise with this succession of mesmerizing and shocking portraits.